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Under the nameHeavens*onEarth, Yofiel released Reaktor ensembles created between 2002 and 2010.Clients included professional musicians for E! Entertainment, TV series (30 Rock, Kings. And The Philanthropist), Sony Movie Classics, and bands including Younger Brother and Shpongle. Oct 10, 2015 - Scott Wilson looks at Native Instruments' powerful Reaktor 6, which. That presents itself when you boot the software up is as daunting as ever.
A COMPLETE SET OF SAMPLING TOOLS WITH THEIR OWN SONIC ECOSYSTEM BLINKSONIC° instruments are a complementary collection of sample-based instruments for sound design or live performance. BLINKSONIC° develops musical toolboxes guided by specific principles for composing and musically arranging samples. All BLINKSONIC° software ships with ready-to-use sample libraries resulting in audio tools that are playable, fun, and interactive.
The entire musical process is available at your hands with all the techniques ideal for live performance. Thanks to Reaktor’s versatility, BLINKSONIC° ensembles can be used either standalone or within a DAW. “ I’ve always been drawn to chance encounters and possibilities within software and hardware that allows me opportunities to surprise myself. It’s all too easy to fall into familiar ways of working. With a few twists and turns of parameters you find yourself entering a pattern you would probably never have anticipated developing. Combining different modules leads you down paths where even a map wouldn’t help you out of, and suddenly you realise it’s dark and entire day has been devoured by the intricate ways of these tools!
![Software Software](http://www.nireaktor.com/wp-content/uploads/2012/11/Exploring-the-NI-Reaktor-GoBox-Groovebox-Ensemble.png)
The immediacy of Blinksonic instruments is a joy. Indeed in the short time I’ve written these words I returned to playing with FR3TZ° and AETONZ° and already created the backbone of a new work. It’s that instantaneous!
The level of detail and programming that has gone into these far outweighs the minimal cost too. A great addition to any creative studio! And it’s true. I wanted to play with them and in 5 mins had a great new idea running already!“ Robin Rimbaud/ Scanner // Electronic musician, composer and artist, UK. ” I have been using the Blinksonic instruments for quite some time now, and they ‘ve become vital tools of my every day creative process. They are cleverly designed, effective and super fun to use.
My personal favorite is Substanz. I simply love the endless rhythmic possibilities it has to offer! Substanz, Aetonz and Ruidoz are always present when performing live with my Qebo act. I also use them, when I am looking for inspiration or interesting new sounds when designing a sample library. I recommend the Blinksonic tools to every electronic music artist and audio professional out there, and with those great prices you can’t go wrong. “ Alex Retsis / Qebo Music producer/Sound Designer, Greece.
“ As a sound effect designer specialized in animated movies, i often need to create beeps and telemetry sfx for futuristic environments. Recently I discovered RUIDOZ and decided to get around its original function as a beatmaking box, but instead I recorded bits, time-stretched them and thought it perfectly matched what I was looking for.
BLINKSONIC tools provide an amazing variety of inspiring samples, plus the quality is stunning. They do have this new and unique « spice » that makes my final work sound incredibly original.“ Nadege Feyrit/The Option // Sound Designer/Composer, France. “Making ultra-creative instruments, with a beautiful interface and that sounds very musical is not easy! This is where Blinksonic is very strong. I love the tools that help push sound design quickly and efficiently. Tons of preset with randomization functions that are formidable in terms of creativity. I use these plugins in a lot of my productions, whether in any discretion with pads, granular environments or “in your face” with big glitch during the breaks, it goes everywhere.
These instruments always push me to the experimentation and the creativity, as much in the tones as in their ways of functioning. I feel that I have not finished having fun with these instruments!: D” Renoizer // Music producer, France. “I was really impressed by the clever way the instruments are designed. It’s not about the latest spectral algorithm but about the efficient combination of tools that we know work well together. The result is a great workflow and a great output. In no time I found myself generating and controlling awesome glitchy loops and melodies that several times had me think “ah this is – insert the name of a great idm band – “.
A special mention to the included sample banks that are simple yet cleverly crafted to work with the instruments they work so well I still haven’t even tried loading some of my own! Haha I love tools that are on par with my laziness! ? “ Subjex // Music producer/Sound Designer, France.
BitRate II BitRate II from Icebreaker Audio uses multiple methods of retro digital synthesis and sampling to produce charismatic and nostalgic drum sounds, making it a powerful drum machine software. The included sound engines from this Reaktor drum machine cover chipsounds, FM synthesis, lofi sampling, and glitchy circuit bending. On top of these unique sound engines, Icebreaker Audio's BitRate II is a drum machine VST that also offers a 5-track mixer and a master FX section that includes an analogue modelled EQ, bus compressor, and speaker simulator for added lo-fi effect. The Reaktor drums can be triggered via MIDI or from the internal sequencer. The sequencer provides two modulation sequences per drum, which can be routed to virtually any combination of sound parameters in any amount. Icebreaker Audio BitRate II & Monoboy were created by, the brainchild of Adam Hanley, whose name appears in the credits of many high-profile Kontakt and Reaktor products, working on anything from African drums to additive synthesis. He is also responsible for the Kontakt scripting here at Heavyocity, pushing the platform to the limit in order to bring even the craziest of ideas to life.
Icebreaker Audio was created in 2011 as an outlet for boutique product concepts and personal obsessions. BitRate was born out of years of R&D into chiptune music, vintage digital electronics, and circuit bending. BitRate II takes the original concept even further, while also refining the workflow to create something both versatile and full of character. BitRate II & Monoboy are uniquely watermarked for each individual customer.
All files in BitRate II & Monoboy are watermarked using a propriety technology. Customers may be required to provide their full Identification for authorization purposes Legal:. Heavyocity Media, Inc. Will use all remedies of the law, to their full extent, against anyone who illegally distributes/sells/shares the library. Heavyocity Media reserves the right to modify these terms at any time.
Prices, Watermarking, and Availability subject to change without notice. BitRate II & Monoboy are uniquely watermarked for each individual customer. All files in BitRate II & Monoboy are watermarked using a propriety technology. Customers may be required to provide their full Identification for authorization purposes Legal:.
Heavyocity Media, Inc. Will use all remedies of the law, to their full extent, against anyone who illegally distributes/sells/shares the library. Heavyocity Media reserves the right to modify these terms at any time. Prices, Watermarking, and Availability subject to change without notice. Related products. $549.00 Modern Strings Symphonic & Hybrid Orchestra Heavyocity had one goal in mind when they set out to create NOVO: “make strings new again.” Recorded at the famous Eastwood Scoring Stage at Warner Bros. Studios, of course NOVO is a world-class, deeply-sampled orchestral strings instrument.
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